Like a strange sense of Deja Vu, stepping into Super Mario Odyssey was equally as familiar as it was new. Upon placing the Joy Cons in my hands, and pushing forward on the analog stick, followed by a three jump combo, everything just felt right. It was like seeing an old friend who had grown up over the years, but still had all the quarks that made them unique in the first place. This is a Mario I welcome back with open arms.
I played Super Mario Odyssey in docked mode. The rep insisted that I played the game using motion controls, never really making it clear that all the motion control functions were available as buttons.
I don’t hate on motion controls. In this game, however, I felt absolutely no need to use them. In Splatoon 2 and Breath of the Wild, the motion controls enhance the player’s performance, making for more accurate shots that are otherwise too precise to achieve on an analog stick alone. In Super Mario Odyssey, I felt like I was brought back to the early days of the Wii, when every game’s motion controls were focused on vigorously shaking all the time, just for the sake that you could. Thankfully for Odyssey, motion controls aren’t a requirement. I’ll be playing this one with a grip or Pro Controller.
Of the two levels available to play, I chose the Sand Kingdom level, which takes place in a desert known as Tostarena. A world influenced by Mexican Day of the Dead culture, populated with mariachi skeletons. Being able to freely move around and roam wherever I wanted was immediately reminiscent of Super Mario Sunshine and Galaxy. However, I found this experience weighing more towards Sunshine because of the more grounded terrain and level design. The design did a good job pushing the player forward to the other end, opposed to leaving the world massively open. It was a good balance of exploration but straightforward narrow design.
I used Mario’s hat, also known as Cappy, to take control of bullet bills and fly through obstacle courses. I went through a green pipe that transferred Mario into pixelated Super Mario Bros. 1 form onto a wall, A Link Between Worlds-style.
All-in-all, it felt like Mario. It controlled exactly as it has in all previous 3D Mario games. A new move added to Mario’s roster is a tumbling crouch roll. Mario squats into a ball, and by shaking the controllers, fiercely rolls forward smashing through enemies and obstacles
Though I’ve been a massive fan of the most recent Mario games like Super Mario 3D Land and World, it’s about damn time Nintendo has has taken the wants of its audience in consideration. It’s undeniable that consumers, myself included, have wanted a more mature control structure for Mario again. And again, I’m not putting down Land and World, but this is the Mario game we need right now. Aside from its loyal core audience, Nintendo has struggled to keep the attention of the every day gamer. From the brief time I had with this Odyssey, I have utmost confidence that this will satisfy our needs of real modern Mario game.
I wasn’t able to check out New Donk City, or try on any of the outfits that the game had to offer–which is a new addition to the series. But all those things would have been an enhanced bonus to an already seemingly great game. I won’t fully know until October 27.