Rime Review [Nintendo Switch]

From a glimpse, RiME hits all the right points in presenting itself confidently among other contemporary artful adventure games. It has a distinctive art style, emotionally pounding soundtrack, and a sad yet touching story about a lost boy — yet none of those things feel completely its own, and through all its emotional elements, it seems to lack what matters most, and that’s heart.

You play as a boy who wakes up on a desolate island. With no explanation or context you’re free to roam around.

As you wander through what appears to be ancient civilization left in ruins, you are subtly guided with aid of a wild fox, but never are limited to explore at your own pace. You’ll encounter puzzles primarily solved using the environment around you by shifting certain items, playing with shadows, and other visual elements. The puzzles are easy, some of which I solved on accident almost immediately before understanding what it was that I had to do in the first place.

With easy puzzles and seemingly safe environment, it was hard to pinpoint the importance of doing anything. From the start we’re faced with a tower in the distance, obviously pointing the direction we should be heading. But why that was a priority for a boy that supposedly washed up on shore, didn’t really seem to make a lot of sense.

The stakes are raised, however, when encountering the game’s most prominent foe — a giant bird creature that tails you from above for more than half of the game. Here the creature takes an important object for progressing forward, but again, what we’re progressing towards still seems to have no relevance.

RiME - Switch Screenshot 04

Thankfully, the story behind the boy is unveiled as the game progresses using its environment, and collectibles hidden throughout the world, giving the player somewhat of an objective to explore in order to understand what’s going on. But unfortunately we’re left only with hints, most of which don’t make sense until the game’s somewhat underwhelming and cliche ending.

Environments do vary from an open peaceful seaside, to underwater ruins, but still maintain a similar gray blocky theme throughout, which becomes dull fairly quick.

To its merits, it is much longer than other games of its genre. However, after my 7-10 hour playthrough, I’d make the argument here that length is only as important as the value gained from the experience, and in this case RiME could have benefited from some heavy trimming.

RiME doesn’t utilize any of Switch’s features such as motion controls or its touch screen while in handheld mode — and that’s okay. It does however suffer from severe framerate drops that occur consistently. Most of which happen randomly with no indication of the game doing anything taxing to the hardware. This is my first rodeo with the game so I can’t compare its performance to its PS4 or XboxOne release. But I’m hard pressed to think it’s due to any limitations of Switch given its current library which seemingly has much more demanding titles. I can only hope that there’s a day one update that addresses its performance.

RiME’s strongest traits come from it’s design, and artistic direction, but fails to implement anything new to the genre. It has a little bit of everything from environmental storytelling, puzzles, and exploration, but it doesn’t do any of things particularly well or original.

What we’re left with in the end is a hollow attempt at trying to be some its better contemporaries. And by never truly fulfilling its own identity, it all comes off trying a bit too hard, making it more self-indulgent than rewarding for the audience.

Given Switch’s currently library, RiME does fill a much needed gap in its genre of art focused exploration puzzle games such as Journey, ABZU, Unfinished Swan, and the like. So those eager for a unique experience, especially on the go, RiME answers some of those prayers. Just be ready for a inconsistent performance, easy puzzles, and lackluster pacing.

Switch owners solution to games like Journey and The Witness, this is not.

Buffalo Game Space 2017 Showcase Round-up: Bound for growth

Days leading up to the Buffalo Game Space Showcase, my initial plans were to go there, play all the games available, and do a mini-write up on each one. Upon arriving and entering the space, located in the Tri-Main Center off of Main St. in Buffalo, NY, I was immediately overwhelmed with just how many games were crammed into the 3,000 sq. foot space. A space that will most likely have to grow next year in order to accommodate not only the games being showcased, but its attendance.

A few years back, when I was working for Indie Game Magazine, a press release had come through for a Kickstarter launching the Buffalo Game Space. Having roots in Buffalo, I immediately advocated for the story to be covered, but also, I was excited at the very idea of a gaming co-work space. Admittedly, at first, I was quite envious of Buffalo—being that I am now a Rochesterian, and regardless of what we all think, there’s always going to be a little rivalry between the sister cities. I was excited that somewhere in upstate New York, a group of people were beginning to plant the foundation for the game industry’s growth, but also, a little jealous Rochester didn’t get there first. But that’s okay; we’re all in this together.

Petty jealousy aside, I now realize that the Buffalo Game Space is the beginning of something huge, and not just for Buffalo, but for all of upstate New York. The showcase featured games being developed from both Buffalo and Rochester, from students and indies.

Out of the 25 games being showcased, no two were the same. Whether or not that was a conscious choice by BGS to curate the show that way, I don’t know, but regardless, it kept the experience of every game fresh. Also, I owe this event the opportunity for me to experience virtual reality for the first time; an experience I was glad to have had in an intimate environment where I could talk to the developer directly. That communication looked something like this:

Since I unfortunately wasn’t able to take the time to write about all the games displayed, I instead chose to write about a few that stuck out most prominently.

Shotgun Farmers (3rd place winner in the NYS Game Dev Challenge), by one-man developer Waseque Qazi, is a competitive multiplayer FPS where players mow each other down with weapons made of vegetables, which use vegetable seeds as ammunition. When shots are missed, the seeds grow into new guns. Once you’re out of ammo, the player must harvest the crops for other weapons. Its visuals are simple—a color pallette and cartoony style reminiscent of Team Fortress 2—making it distinct and immediately identifiable. Qazi aims to have the game out sometime late-summer.

sniper

Whisper of a Lullaby, by Children Among Giants (a studio formed mostly of Rochester Institute of Technology students), poises on the outer layer as a cute platformer starring a sheep in a world made out of candy, cookies, and other sweets. But under the surface tells a serious and dark story of a young boy wandering the dreams of other children, who must use the powers gained from their dreams in order to overcome his own nightmares. It was the game’s juxtaposition of adorable aesthetic, mixed with an underlying serious tone that really drew me to this title.

Other games off hand that displayed promise were Space Pew Pew, Fist’s Elimination Tower, Hovership Havoc, and more. Unfortunately, there’s a lot games not mentioned here, and I apologize for that. A trailer for most of the games can be viewed below.

Come next year, I’d like to be more prepared for this event— heavily armed in hopes to write as much as I can and possibly do some video work as well. But I also predict that it’ll be even more unmanageable to tackle such an ambitious feat, assuming that the volume of games displayed will increase.

I asked Chris Langford, Vice President on the Board of Directors at BGS, via email if he foresees having to expand the space or move the event for future showcases. Chris expressed an interest in continuing to stay in the Tri-Main Center, but with hopes to expand the event into the hall ways, possibly into the lobby of the building. He was adamant that attendees were invited to see the physical location of BGS, so they can also see where other events are hosted, and get a visual sense of the coworking community.

The range of talent, style, and dedication displayed in that room was inspiring, and left me wanting more. I left wanting more events for local indies to showcase their work; more spaces for creatives to work and collaborate together. The Buffalo Game Space is living and breathing proof of the overwhelmingly fast growing community of developers in NYS. At first I was envious, now, I’m convinced every city needs a space like the Buffalo Game Space.

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– KURT